When Zhu Yuanzhang was ascended to the throne, it was treated with the throne, but in the second year of Hongwu, Jingdezhen's burning official kiln was on the agenda, but the need at that time was limited to the sacrifice.
With the stability of the current situation, the court demand increased. In the middle and late stages of Hongwu, the court continued to award the purpose and ordered Jingdezhen to burn various utensils.
The dragon patterns appearing on the porcelain of Hongwu Yizhao are extremely characteristic, and the image is quite puzzling.
The Shanghai Museum Hidden Hongwu Qinghua Chunshou Dragon Plum Bottle.
The image of this dragon has appeared in the red plum bottle in the Hongwu glaze. The characteristics of their heads are soft and unpredictable, round -faced cats, which are very strange.
This in Hongwu for 31 years, not far from Yongle in the later generation, and Hongwu Dragon is very different from Yongxuan's Dragon, especially Hongwu Long did not see the ancients before, and those who did not see it later. One present.
The Minghong Wu Qinghua Chunshou Dragon Plum
The collection of Shanghai Museum
The cultural phenomenon must have its reasons, but future generations may not be able to fully explain. The cultural reasons for Hongwu Cat Face Dragon are obviously a product of the turbulent change era.
The in the early days of changing dynasties, there are many trial reforms and need to convey the information of the new regime. It is unknown whether Cat Face Dragon is conveying a certain information.
The Minghong Wuqinghua Yunlong pattern plate
Xuan two dynasties.
It another type of dragon -patterned works in the Hongwu period is close to it, and the reason should be close to it.
This in the late Hongwu's official kiln porcelain, the concept of dragon pattern is clear, regardless of the printing or depiction, the image is almost the same as Yongxuan pattern.
The Yunlong Pan, the Great British Museum's outer sauce glaze, the green seal dragon pattern plate. This type of porcelain uses quality theory as the official kiln. The image of the dragon pattern is obviously different from the cat face dragon. The angle contrasts the weird cat face dragon.
The red dragon pattern plum bottle in the blue and white glaze of Ming Yongle
unearthed in Zhushan, Jingdezhen
Subsequent Yongxuan period, dragon lines increased sharply, The image is becoming increasingly perfect. The most typical performance on the blue and white vector.
The blue and white cloud dragon pattern celestial bottle during the Tibetan Yongxuan period of the Palace Museum, blue and white wearing flower dragon pattern flat round bottle, blue and white dragon pattern plum bottle unearthed from Yongle strata in Jingdezhen, the image of the dragon is fierce, through. Thick body and strong limbs; the toenails are shortened compared to the Yuanlong, shaped like a dagger; the dragon head is full, and the upper jaw of the dragon is rolled like a nose. If the knife is cut, there is very little fork; the hair is full of ball -shaped, the anger is rushing into the sky, and the arrangement is neat; in short, the vitality is vibrant, reflecting the national strength and national situation of the Yongxuan period in the early Ming Dynasty.
The Ming Xuande Blue and White Cloud Dragon File Bottle
The Palace Museum Collection
Stitus of Xuande blue and white dragon pattern works, bowls, plates, washing categories Due to the limited forms, the dragon pattern has different attitudes, and the person in the center of the utensils is the most vivid and powerful. The five -claws are windmill -shaped, and they are the most intense for the Yongxuan period.
The Ming Xuande blue and white dragon pattern plate
The collection of Taipei Palace Museum r The dragon pattern image of Yongxuan period is the thickest period of history, the early Yongle Dragon Dragon The tattoo inevitably remains the traces of the dragon pattern of the Yuan Dynasty, such as the popular three claws, and the five claws are not seen. In the later period, Xuande inherited the overall image of Yongle and only made a small place to improve, such as a windmill -like five -claw.
The statistics, the dragon -patterned works with the New Year's Eve are basically five claws, rare three claws, which shows that the evolution of porcelain patterns can be seen.
The dragon pattern on the porcelain gradually changed. Take Chenghua Hongzhi's works as an example. The dragon pattern is transformed from Yongxuan's fierceness to Chenghong.
The Palace Museum hidden into the tank of the dragon pattern of Doucai Dragon pattern. Dragon Ben Bin on the seawater. Although the body is also three curves, the elbow is also turned up. Playing in the water, don't think about.
The Mingchenghua Doucai Dragon Dragon Dragon Cover
However, compared with Yongxuanlong's pattern, we know that the dragon's mentality is not there. Although the lotus ponds are common in Xuande, the fish dragon is different. Hongzhi Dragons swim in the lotus pond, showing a peaceful scene.
The Ming Hongzhi Blue and Whitening Dragon Dragon Pattern Bowl
The Palace Museum Collection
The emperor of Zhengde is the most unconcerned king in the Ming Dynasty. "Mighty General".
The image of Yinglong's image in Zhengde is by no means accidental. Let the wings give birth to the dragon are not to let the dragon fly, but to let the subjects see the dragon fly, and then reflect the emperor's intention.
In Mingzhengde Blue and White Blood and Dragon Tattoo Halberd
The emperor's capital was in the same vein. Because of Zhengde, his cousin was invited from Wudang Mountain, Hubei, and hurriedly sat on the throne.
The Jiajing has not adapted to this mutant life for a long time, and is still obsessed with Taoism in childhood. This has a deep impact on the porcelain of Jiajing.
The dragon pattern during the Jiajing period has become thick, and it feels a bit unable to find the northern feeling. Compared with other Taoist -related patterns, the dragon pattern seems to be careless, especially the dragon pattern on the large device should twist the dragon pattern. Move the body, but Jiajing removed the twist, leaving only the movement, and the claws are no longer sharp and powerful, but the grown is loose like a crab claw, the hairy hairs like a wet hat, the head of the head, the mouth of the mouth, the mouth of the Palace Museum, see the Palace Museum Tibetan blue and white cloud dragon pattern can can be experienced.
In Mingjiajing blue and white cloud dragon pattern lid
The colorful dragon tattoo pier, the seat dragon is the positive image, this positive dragon starts from Jiajing.
The dragon is in a state of excitement. It looks like the first performance on stage, exaggerated limbs like Latin dance; Points are almost the same as some dragon works of Wanli Wanli colorful.
The Ming Jiajing colorful dragon wears a lotus pond tattoo pier
You can see the sign from the dragon line. A pair of blue and white dragon patterns were built with large bottles of the Dingling Tomb of the Ming Dynasty, which is consistent with the same type of works in the Palace Museum. It is a heavy weapon for Wanli Royal Kiln. Only this heavy weapon can still see that the country is declining.
The dragon pattern is significantly reduced in the proportion of the whole device, and some feelings that can't hold the space; the posture is still, from arrogance to fear, especially the hind limbs have a sense of escape, making people watched.
This Wanli Wancai wearing a dragon pattern water
Although Chongzhen Emperor was full of ambition, he had no skills. Seeing the dragon pattern during the Chongzhen period will feel the miracle of sociology.
This Museum hides the blue and white Chongzhen dragon pattern tank, the dragon's old dragon bell, the hair is weak, and the view is like snow.
although Chongzhen has not heard of it, he must have felt it. Otherwise, the dragon pattern cannot be presented to the society with this desolate potential, and solemnly convey the information that is about to stop.
In Ming Chongzheng Sancai Dragon Phoenix Pattern Bowl
The collection of the Museum of Foundation
The dragon, as a god beast, as a symbol of the emperor, is undulating with the vanity of society in the Ming Dynasty.
The was magnificent during the Yongxuan period in the early Ming Dynasty, conveying the macro map of a new dynasty, vibrant and exuding hot light.
Yongle to the West, repair the ceremony, build Ensa, and build purple forbidden cities, can be interpreted as the spirit of the dragon; and the three dynasties of the middle of the Ming Dynasty, Hongzhi, and Zhengde, the transformation of the Civil Castle brought about it. In the dark period of 30 years, the peak circuit turns, Liu Dark flowers, and the dragon becomes mature and beautiful. The dragon traveled in the mountains and rivers with a kind of affinity, the court and the folk.
The dragon of the court is elegant, leisurely; Together in the opposition and the field, the world let Longxing the world.
. Although it is 100 years long, from the beginning of the Emperor Jiajing, the royal blood veins appear, and the dragon seems to become ambiguous and lazy and not pigeon.
Watching the Daming dynasty weakened day by day, the dragon suddenly passed the beautiful appearance.
It 2019 Beijing Hanhai Spring auction and the fourth quarter of the 99th issue officially started!
In solicitation range: porcelain, jade, gold and silver copper, wood, Chinese calligraphy and painting, oil painting, jewelry, bamboo and wooden corner sculpture, gold and stone seal carving, sculpture, textile (except cross stitch), crafts, literature, literature, literature , Postal, ticket, badge, strange stone specimen, jewelry, miscellaneous items, etc.
If first -line state -owned auction companies Beijing Hanhai delivery, front -line auction house senior art broker WeChat ID: (Manager Wang)
When Zhu Yuanzhang was ascended to the throne, it was treated with the throne, but in the second year of Hongwu, Jingdezhen's burning official kiln was on the agenda, but the need at that time was limited to the sacrifice.
With the stability of the current situation, the court demand increased. In the middle and late stages of Hongwu, the court continued to award the purpose and ordered Jingdezhen to burn various utensils.
The dragon patterns appearing on the porcelain of Hongwu Yizhao are extremely characteristic, and the image is quite puzzling.
The Shanghai Museum Hidden Hongwu Qinghua Chunshou Dragon Plum Bottle.
The image of this dragon has appeared in the red plum bottle in the Hongwu glaze. The characteristics of their heads are soft and unpredictable, round -faced cats, which are very strange.
This in Hongwu for 31 years, not far from Yongle in the later generation, and Hongwu Dragon is very different from Yongxuan's Dragon, especially Hongwu Long did not see the ancients before, and those who did not see it later. One present.
The Minghong Wu Qinghua Chunshou Dragon Plum
The collection of Shanghai Museum
The cultural phenomenon must have its reasons, but future generations may not be able to fully explain. The cultural reasons for Hongwu Cat Face Dragon are obviously a product of the turbulent change era.
The in the early days of changing dynasties, there are many trial reforms and need to convey the information of the new regime. It is unknown whether Cat Face Dragon is conveying a certain information.
The Minghong Wuqinghua Yunlong pattern plate
Xuan two dynasties.
It another type of dragon -patterned works in the Hongwu period is close to it, and the reason should be close to it.
This in the late Hongwu's official kiln porcelain, the concept of dragon pattern is clear, regardless of the printing or depiction, the image is almost the same as Yongxuan pattern.
The Yunlong Pan, the Great British Museum's outer sauce glaze, the green seal dragon pattern plate. This type of porcelain uses quality theory as the official kiln. The image of the dragon pattern is obviously different from the cat face dragon. The angle contrasts the weird cat face dragon.
The red dragon pattern plum bottle in the blue and white glaze of Ming Yongle
unearthed in Zhushan, Jingdezhen
Subsequent Yongxuan period, dragon lines increased sharply, The image is becoming increasingly perfect. The most typical performance on the blue and white vector.
The blue and white cloud dragon pattern celestial bottle during the Tibetan Yongxuan period of the Palace Museum, blue and white wearing flower dragon pattern flat round bottle, blue and white dragon pattern plum bottle unearthed from Yongle strata in Jingdezhen, the image of the dragon is fierce, through. Thick body and strong limbs; the toenails are shortened compared to the Yuanlong, shaped like a dagger; the dragon head is full, and the upper jaw of the dragon is rolled like a nose. If the knife is cut, there is very little fork; the hair is full of ball -shaped, the anger is rushing into the sky, and the arrangement is neat; in short, the vitality is vibrant, reflecting the national strength and national situation of the Yongxuan period in the early Ming Dynasty.
The Ming Xuande Blue and White Cloud Dragon File Bottle
The Palace Museum Collection
Stitus of Xuande blue and white dragon pattern works, bowls, plates, washing categories Due to the limited forms, the dragon pattern has different attitudes, and the person in the center of the utensils is the most vivid and powerful. The five -claws are windmill -shaped, and they are the most intense for the Yongxuan period.
The Ming Xuande blue and white dragon pattern plate
The collection of Taipei Palace Museum r
The dragon pattern image of Yongxuan period is the thickest period of history, the early Yongle Dragon Dragon The tattoo inevitably remains the traces of the dragon pattern of the Yuan Dynasty, such as the popular three claws, and the five claws are not seen. In the later period, Xuande inherited the overall image of Yongle and only made a small place to improve, such as a windmill -like five -claw.
The statistics, the dragon -patterned works with the New Year's Eve are basically five claws, rare three claws, which shows that the evolution of porcelain patterns can be seen.
The dragon pattern on the porcelain gradually changed. Take Chenghua Hongzhi's works as an example. The dragon pattern is transformed from Yongxuan's fierceness to Chenghong.
The Palace Museum hidden into the tank of the dragon pattern of Doucai Dragon pattern. Dragon Ben Bin on the seawater. Although the body is also three curves, the elbow is also turned up. Playing in the water, don't think about.
The Mingchenghua Doucai Dragon Dragon Dragon Cover
However, compared with Yongxuanlong's pattern, we know that the dragon's mentality is not there. Although the lotus ponds are common in Xuande, the fish dragon is different. Hongzhi Dragons swim in the lotus pond, showing a peaceful scene.
The Ming Hongzhi Blue and Whitening Dragon Dragon Pattern Bowl
The Palace Museum Collection
The emperor of Zhengde is the most unconcerned king in the Ming Dynasty. "Mighty General".
The image of Yinglong's image in Zhengde is by no means accidental. Let the wings give birth to the dragon are not to let the dragon fly, but to let the subjects see the dragon fly, and then reflect the emperor's intention.
In Mingzhengde Blue and White Blood and Dragon Tattoo Halberd
The emperor's capital was in the same vein. Because of Zhengde, his cousin was invited from Wudang Mountain, Hubei, and hurriedly sat on the throne.
The Jiajing has not adapted to this mutant life for a long time, and is still obsessed with Taoism in childhood. This has a deep impact on the porcelain of Jiajing.
The dragon pattern during the Jiajing period has become thick, and it feels a bit unable to find the northern feeling. Compared with other Taoist -related patterns, the dragon pattern seems to be careless, especially the dragon pattern on the large device should twist the dragon pattern. Move the body, but Jiajing removed the twist, leaving only the movement, and the claws are no longer sharp and powerful, but the grown is loose like a crab claw, the hairy hairs like a wet hat, the head of the head, the mouth of the mouth, the mouth of the Palace Museum, see the Palace Museum Tibetan blue and white cloud dragon pattern can can be experienced.
In Mingjiajing blue and white cloud dragon pattern lid
The colorful dragon tattoo pier, the seat dragon is the positive image, this positive dragon starts from Jiajing.
The dragon is in a state of excitement. It looks like the first performance on stage, exaggerated limbs like Latin dance; Points are almost the same as some dragon works of Wanli Wanli colorful.
The Ming Jiajing colorful dragon wears a lotus pond tattoo pier
You can see the sign from the dragon line. A pair of blue and white dragon patterns were built with large bottles of the Dingling Tomb of the Ming Dynasty, which is consistent with the same type of works in the Palace Museum. It is a heavy weapon for Wanli Royal Kiln. Only this heavy weapon can still see that the country is declining.
The dragon pattern is significantly reduced in the proportion of the whole device, and some feelings that can't hold the space; the posture is still, from arrogance to fear, especially the hind limbs have a sense of escape, making people watched.
This Wanli Wancai wearing a dragon pattern water
Although Chongzhen Emperor was full of ambition, he had no skills. Seeing the dragon pattern during the Chongzhen period will feel the miracle of sociology.
This Museum hides the blue and white Chongzhen dragon pattern tank, the dragon's old dragon bell, the hair is weak, and the view is like snow.
although Chongzhen has not heard of it, he must have felt it. Otherwise, the dragon pattern cannot be presented to the society with this desolate potential, and solemnly convey the information that is about to stop.
In Ming Chongzheng Sancai Dragon Phoenix Pattern Bowl
The collection of the Museum of Foundation
The dragon, as a god beast, as a symbol of the emperor, is undulating with the vanity of society in the Ming Dynasty.
The was magnificent during the Yongxuan period in the early Ming Dynasty, conveying the macro map of a new dynasty, vibrant and exuding hot light.
Yongle to the West, repair the ceremony, build Ensa, and build purple forbidden cities, can be interpreted as the spirit of the dragon; and the three dynasties of the middle of the Ming Dynasty, Hongzhi, and Zhengde, the transformation of the Civil Castle brought about it. In the dark period of 30 years, the peak circuit turns, Liu Dark flowers, and the dragon becomes mature and beautiful. The dragon traveled in the mountains and rivers with a kind of affinity, the court and the folk.
The dragon of the court is elegant, leisurely; Together in the opposition and the field, the world let Longxing the world.
. Although it is 100 years long, from the beginning of the Emperor Jiajing, the royal blood veins appear, and the dragon seems to become ambiguous and lazy and not pigeon.
Watching the Daming dynasty weakened day by day, the dragon suddenly passed the beautiful appearance.
It 2019 Beijing Hanhai Spring auction and the fourth quarter of the 99th issue officially started!
In solicitation range: porcelain, jade, gold and silver copper, wood, Chinese calligraphy and painting, oil painting, jewelry, bamboo and wooden corner sculpture, gold and stone seal carving, sculpture, textile (except cross stitch), crafts, literature, literature, literature , Postal, ticket, badge, strange stone specimen, jewelry, miscellaneous items, etc.
If first -line state -owned auction companies Beijing Hanhai delivery, front -line auction house senior art broker WeChat ID: (Manager Wang)